Monday, June 26, 2006

Remember the leprachaun;or in the alternative review of "Click"

So before I ever write a blog I usually go online and read some of my favorite columnist, get inspired, hit up the Microsoft Word and then write. Today I am going to try to do something different. I am going to write like Hunter S. Thompson (Fear and Loathing in Las Vegas). This whole blog/review is going to be Gonzo style (Gonzo).

This will be unpolished and unfettered. It will be nothing but an emotive reaction to my visceral experience. But that is what a movie review should be. Who cares about anything but how the viewer felt and what emotions coursed through his/her body. If the movies are not about emotion then what are they about?

As I setteled into my seat to watch "Click" I thought of a few things: 1. Man, when will it stop raining; 2. Wish I would have gotten a bottled water; and 3. I thought this was supposed to be funny I wonder why my bros told me they got choked up? The previews started and I already could tell that I was in the "mood" to watch a movie. The previews were for "Talladega Nights" staring Will Ferrell, "Fearless" starring Jet Li, and a some dance movie that does not look half bad. I laughed and got pumped watching the previews. Like I said, I was in the mood.

The movie started and out of the gates it was funny. I was laughing and enjoying myself. IT was not rollicking funny, but it was funny enough. I thought, "Wow, Kate Bekinsale is hot. Christopher Walken is money. Adam Sandler has learned to tone it down. O'Doyle definitly does not rule. Is David Hasslehoff in on the joke? Nice to see the Fonz again. And danm they picked some cute kids."

About 45 minutes in to the movie we went to serious town and this is where the movie won me over. It was emotional without being contrived. It had a message without being forced. Remember the Leprachaun.

Let me explain at the crux of the movie is the following lesson: Remember the leprachaun? The one from the Lucky Charms commercials. He is always chasing his pot of gold, but in the end, that pot of gold is only cereal. Pretty deep message for an Adam Sandler movie.

I will spare you the plot details. You can read other reviews for that. What I won't spare you is the following (do you hear that? It is the sirens of the Gay Police): The movie made me cry. Now, I am not a big cryer, but the movie had some something to say and I heard it. Anyone who is aware of my missteps and personal growth will know exactly why this movie touched me.

We spend so much time trying to get the things that we think will make us happy that we never realize they those things are as important as cereal. I don't care what other reviews say. Or how much they pan this movie. If a movie can make me think about the moments in my life when I have lost sight of what is important and challenges me to refocus without being preachy then that is a good movie.

A few years ago "The Family Man" with Nicolas Cage came out and was emphatically dismissed as slop. This Thanksgiving, just like the last few, see what movie NBC plays as their first holiday movie--that's right "The Family Man"

"Click" is in the same vain. There is not a single performance that will get nominated for an Oscar. It is a drama disguised as a comedy (dramedy), and sometimes struggles to figure out which way it wants to go, but in the end the experience should reward every viewer. Or at the very least make them a little more introspective. I know it did that for me.

Wednesday, June 21, 2006

What the hell happened to the nerds?

So as many of you know I am "working" from home. I say "working" because many of you believe that my only job is to fill out surveys on MySpace. That, my friends, is not true. I have a job. Actually, I have many jobs--one would think I was Jamacian.

One of those jobs entails watching countless hours of innane television ("Simon and Simon were not real brothers, only on tel-o-vision") and then sitting around and analyzing the nuances of such classics as: "The Cosby Show" "Boy Meets World" and of course the best show of our generation "Saved by the Bell."

I have always wondered why there has never been a "Saved by the Bell" musical. The show was filled with an incredible number of musical numbers: Zack Attack ("Friends forever, friends forever"), The Glee Club ("oh when the saints, oh when the saints--our rendition of a glee club warming up"), and of course Hot Sundaes ("I'm so excited, I'm so excited, I'm so scared."). I honestly think a Saved by the Bell musical would work. Hey, if they could make a musical from ABBA music--Mamma Mia!--then why can't they make one from "Saved by the Bell?" My only request would be that they keep the Tori character in the closet--take that as you will.

The purpose of this blog (what? a purposeful blog? isn't that an oxymoron?) is not to discuss how great a "Saved by the Bell" musical will be--we can all agree on that point--but to ask the most important question of all time (or at least the most important queston today from 12-1pm as I watched TBS): What the hell happened to the nerds from "Saved by the Bell?"

We all know what happended to Violet Ann Bickerstaff, but what happened to the guy nerds? I am sure the black nerd now makes his money as Wesley Snipes' stand in, but what about the rest of the guys. Not since Robert Carradine ("That's because all jocks think about is sports and all nerds think about is sex") stopped mining the Tri-Lam mine have more nerds fallen off the face of the earth so quickly and quietly. Who are these nerds--the Dufrains (Dufrain, Dufrain party of 3... How can we eat at time like this? The Dufrains are missing!").

Since 1989 these nerds have been a constant precense in our lives. Well at least through middle school, high school, college, and any time you are at home sick, and yet no one ever wonders what became of their careers. Is this fair? I for one will not stand for it anymore and will ask the question: What the hell happened to the nerds?

Sunday, April 23, 2006

Ten songs moving up my top 100

Special thanks to Scott, for being the requisite musical snob friend that reads Spin and searches on the internets [sic] for obscure artists, songs, and cuts. Without his help I would still be listening to my copy of Backstreet's Back! Now onto the list:

1. "Neighborhood #1 (Tunnels)"--Arcade Fire

2. "Our Love" Rhett Miller

3. "Teenage Love Song" Rilo Kiley

4. "The Skin of My Yellow Country Teeth"--Clap Your Hands and Say Yeah!

5."They Are Not Zombies! They Are Neighbors!They Have Come Back From the Dead!!! AHHHH"--Sufjan Stevens

6. "Closer to Mercury"--Wheat

7. "Miss Perfection"--Whole Wheat Bread

8. "Reunion"--Stars

9."You Are What You Love"--Jenny Lewis with the Watson Twins

10. "Hex"--Neko Case

Thursday, April 20, 2006

Sticking feathers up your butt does not make you a chicken

Nor does posing for pictures make you a model. Not sermon, just a thought.

Wednesday, April 19, 2006

Chapter 1--I love rock and Roll

I love music. Okay, I lied. I like lyrics. I dont know crap about melody, harmony, or any of that stuffprobably because I am tone deaf/death (if you have ever heard me sing). I actually feel kind of bad that we barely know each other and I am already lying to you. Hey, I am a guy--guess it happens.

Anyway, (I just read Chuck Klosterman so you will probably see this word a lot or maybe I will be inspired and come up with my own literary device) back to my point: I love lyrics. It probably stems from the fact that I use to write poetry. Now before you start thinking that I said that so it will offset my pimp pictures and make me seem sensitive let me explain. I use to write poetry not because I was sensitive but rather because I was 8 (I did write poems later in life and I will discuss them in later installments of this series) and wanted to give my mom, aunts, grandmothers, godmother, etc., presents and figured poems were the answer. They were not. My poems were awful (not so sure about the later efforts). Sure they rhymed, but they were in crayon. Crayon is not the medium of the masters. Not really sure that the medium mattered so much, but at the very least it comforts me at night.

Since I had so much trouble expressing my feelings through the written word I started to appreciate lyrics. Maybe I did not know what for "forty days and forty nights, the law was on her side . . .but the kid is not my son" meant, but I knew it meant something. Otherwise why would someone as masculine and as cool as Michael Jackson sing it (I was young, I did not know any better)? So as I got older I started realizing that "Mustang Sally" was not about a car and "Puff the magic dragon" truly did not involve dragons (Focker) and I started to appreciate the nuances of good song writing.

Soon after this discovery came another one; girls. With the discovery of girls came the discovery that I in fact do look like a monkey--damn you Patricia O. And at the very tender age of 8 my heart was broken (big year 8 poems, lyrics, girls, simian sensibilities (in retrospect not sure if it was the curious George look I had going or the fact that I was using crayons and not money smelling markers (mmm purple grape) at 8 that made me unappealing (wish I could go back and find out))). I felt no one understood, most certainly not my parents. They were happy, in love, and to them I was a beautiful Prince (their (actually mom's) words not mine). Not the Appleonia loving, guitar licking, tight pant wearing (although anyone who has seen my out in jeans lately may tend to disagree) kind, but more like the Prince William or Henry kind. Actually more like Charles; my head was 1/2 its size at the time but my ears were not. I digress.

Not being able to turn to my parents I was lost. Sure I had older friends but if I looked like a monkey they looked like troglodytes (ugly neighborhood--literally) and they were more concerned with who got to be Maverick then who got to kiss Kelly McGillis (I was going to use her name in the movie, "Charlie," but then I thought that might give the wrong impression; especially in light of my tight jean revelation). So with no friends in the know I looked towards TV.

But you know what? Optimis Prime had a pretty pathetic sex life and Duke (G.I. Joe) always got the chick. Figuring that knowing was half the battle I continued my search for someone who could understand what I was going through. Damn it, no one on TV had the answers: Alex was too concerned with being a republican, Skippy was more pathetic then I was, Theos voice had not changed (neither had mine or Alex's or Skippy's for that matter), Crocket and Tubbs voices had changed too long ago and well my crush most certainly did not look like the women they were hanging out with and furthermore I did not understand why they had to kiss every women laying down and naked, Mike Seaver was just coming into his own, and well you get the picture. No one spoke to me!!!

And then (and then, and then, and then, and then--now that that is out of your system) something magical happened--and Puff was not involved. I was in hotel room in Colonial Williamsburg (man, maybe it has nothing to do with the crayons or looking like a monkey maybe I was just too nerdy for her) and I caught Live Aid. I did not understand the importance of the event, but I did know that I too wanted to find "Someone to Love."

I sat spellbound by what was going on. I could not believe that all these people had felt the same emotions. I could not believe the understood (I was a precocious 8 year old; probably because I was a Prince). I knew what Spandu Ballet meant when they sang "True." Sade was telling everyone what I was feeling with "Your Love is King." It did not matter who sang--Elton John and Kiki Dee, Eric Clapton, The Cars, Kool and the Gang, Thompson Twins (damn what a line-up)--they all spoke to me. And when I finally turned off the TV and heard Joan Jett tell me that she loved rock and roll I knew she was speaking to me.

Not really sure how much lyrics speak to me now, but I always remember the excitement I felt at 8 knowing that there were people out there that felt like I did.

Next Chapter 2--what the hell is this song saying?

Monday, April 17, 2006

My Current Top 20; or, Man This Music is Depressing--it must be raining

1. "I Summon You"--Spoon

2. "Something Pretty"--Patrick Park

3. "Stranger by the Day"--Shades Apart

4. "Hate Me"-Blue October

5. "One" Mary J.Blige/U2

6. "I Miss You (Acoustic)"--Incubis

7. "Dead, Drunk, Naked"-Drive By Truckers

8. "Another Lonely Day"--Ben Harper w/ Pearl Jam

9."Fourth of July"--Shooter Jennings

10. "Apology"--Ashley Parker Angel

11. "Here I Go Again (Acoustic)"--Whitesnake

12. "I Don't Feel Like Loving You Today"-Gretchen Wilson

13. "Hello, Again (Acoustic)"--Tommy Lee

14. "Fight Test" --Flaiming Lips

15. "A Thousand Miles From Nowhere"-Dwight Youkum

16. "Eve, the Apple of My Eye"--Bell x1

17. "Somebody's Crying"--Chris Isaak

18. "Feels Like Fire"-- Sanatan w/Dido

19. "Oh Sweet Carolina"--Ryan Adams

20. "Hallelujah"--Jeff Buckley

Epileptic Seizure or in the Alternative, Last Night

I suck. Not literally, but at times I can suck. I can be self-absorbed and self involved. I tell inane stories with childish punch lines—“shoes.” This happens to be one of those moments. I am sure after I done writing this I will see one, if not all 57 of my Myspace friends (because I know all of you personally—hahaha), and ask if you have read my blog. Like all of you pine daily to see if I have posted anything new and jump at the chance to read about my quotidian activities and live vicariously through me—but I digress.
I played basketball yesterday. I played basketball the day before. I went out the day before and the day before that and the day before that and the well you get the point. Now I am not blaming the events on last night on the basketball or the incessant going out. I just hope that they played some part in the events otherwise I don’t know what to think.
I read yesterday. Actually what I read yesterday was my inspiration for the first paragraph of this blog. It was “Killing Yourself to Live” by Chuck Klosterman. In the book Klosterman makes an extremely valid point about people telling you about their dreams. To paraphrase, no one really wants to hear about any one else’s dreams. They are not real. They do not really involve anyone. And, well when someone tells you about their dreams it is their way of expressing something about themselves or their sub-conscious. How solipsistic is this? If someone wants to tell you something about themselves why don’t just say it? Why do they have to seem deeper then they actually are by blanketing their personality traits in the warm embrace of REM? I am sure it has something to do with the Jungian philosophy of masks and our reluctance to take them off less we be judged. But how can you be judged on your dreams? You have no control over them.
I slept yesterday. Not a planned sleep. One of those next thing you know I was asleep sleeps.
I woke up yesterday. I was upset I woke up. It was late and there was no reason for me to be awake. I could have slept through the night. I did not and had to watch TV and read. I watched on “What About Brian” on my Tivo. I thought it was a good show. I felt bad for Brian. I went back to sleep.
I went to a club yesterday. The club was cool. I was wearing a shirt with cuff links that I thought I had thrown away because my friend’s golden doodle had bit a hole in it. I don’t think the dog was happy with me that day. I had a tie on. I often wear ties. I don’t often wear ties to clubs. I don’t often go to clubs. I could not understand why I was wearing a tie. I was confused.
I ran into a friend from Kindergarten. I ran into his sister. I did not drink. I leaned into his sister. I fell off my chair. I landed a floor below. I ran into a friend from 20 years ago. He took me down some stairs. I did not drink. I saw 100 women dressed as white butterflies. They offered my Pabst. I did not drink. I tried to go the bathroom. Brian told me that only butterflies were allowed downstairs. I walked up the stairs. I stepped on a butterfly. She was nice.
I got upstairs. I could not see. Techno was playing. Or maybe it was just constant thumping. I am not sure. Strobe lights hit my eyes. I was drunk. Or I had vertigo. I kept running into everything. I was starting to convulse. The techno kept thumping. “Hallelujah” by Jeff Buckley kept playing in my head over the techno beat. I started to cry for help. Nothing was coming out of my mouth. I looked at my cufflinks. They were not mine. I looked at my shirt. It was un-tucked. It did not have holes. I cried out for help. A butterfly came over. I stepped on her foot. She did not mind. The strobe light was making me sick. I convulsed. I fell to the floor in thud. The strobe lights stopped. The music stopped. The butterflies were gone. I was on the floor. I was awake. And I thought to myself: What the fuck did I eat? Because I cannot be this messed up.

Tuesday, April 11, 2006

Last night or in the alternative The Divine Comedy

I went out last night. Perhaps I should not have. Perhaps I should have. If there is a purpose to everything that happens I am trying to figure out what last night’s was. So let me give you some background on why I would go out in Washington, DC on a Monday night.
One of my close friends got fired yesterday for falling asleep on the job. Yes, yes, I know it seems very Dagwood Bumstead, however this happened for real and not in the comic strip “Blondie.” So like any red blooded American male, or any red blooded Hispanic male not marching, I decided to take him out to grab a couple of drinks. In retrospect, from past experiences with this person filling him with alcohol was not a very smart decision. However, because of the course of events, this decision would not come back to haunt me.

So what does one do with a recently unemployed, slightly robust, divorced friend? You take him to the one place where every man, at least for 5 minutes and a dollar, can feel desired—the strip club. Now this particular establishment is not one of those clubs that you read about in Maxim, FHM, or any other metrofratsexual rag that exploit man’s need to feel cool and self-important. No this place is located in a strip mall next to Peruvian Chicken restaurant and an auto parts store. Needless to say feature dancers there are few and far between. And so is good clientele. Which brings me to my next point. If you ever have a friend that is completely and utterly destroyed and depressed you can take him two places—this strip club or a soup kitchen; you will find the same people at both.

After the initial confusion and realizing that yes, in fact we were in strip club, and not some commercial for Derelict. We settled into a table, ordered two beers--that were priced like they contained a gallon of gas—and started to watch the “entertainment.” I use that word as loosely as possible, because I am not sure that you can qualify a girl walking angrily back and forth with a thong and pasties, picking up dollar bills. as she tries to remember whether she picked up milk for her kids’ breakfast as entertainment. Nonetheless, we are men so we decided to give it some time to see if it would get better—it did not. We paid our tab and left, blissfully ignoring that it was a Monday in Washington, DC.

Virgil commanded us to head to Georgetown. Within 20 minutes we were parked and headed to one of my favorite bars, Mr. Smith’s. As soon as we walked in something just seemed odd. I could not put my finger on what it was, but something was off. Was it that piano player? No, he actually sounded okay. Was it the beer? No the Kirin was cold and tasty? Was it the potato skins? No those were as delicious and as fattening as I remember. Was it the crowd? Hmmm, yes it was. While the bar was crowded it was all men. Now, I am given to hyperbole from time to time, but I swear this time I am not indulging. It literally was all men. Okay there were four women in the bar (well four women that did not work there) but the rest of the bar was all men. I looked at my buddy and said, “Can you believe that there is only men in here?” “Well, there are four women in here. And if you want, they are all big enough to count twice. So you can say you took me somewhere with eight women.” I declined his offer and we left.

Conventional wisdom would say that we should have cut our losses and gone home, but Virgil still had more to show me. Off we went to Old Glory. However, a funny thing happened on the way to Old Glory. We see a gaggle of Samanthas, Charlottes, Carries, and the occasional Miranda headed in opposite direction. So as Ron Burgundy says “When in Rome.” Quickly, our plan changes and we are headed somewhere else; not sure where, but it is not Old Glory. The Donner party ends their journey at Garrett’s; the sweet music from the Pied Piper compelled us to follow.

Granted we are in Georgetown but I felt like I walked into an
Marty Mcfly/Alex P. Keaton convention. Every guy was wearing a pink shirt—nothing wrong with that, look at my pics (well my shirt is more money then what they where wearing)—and a popped collar, or a pink shirt and blazer with patches. For the first time all night I thought I was having a lucid dream. But oh no, this was real. My friend and I sat down for a minute and then headed upstairs hoping for respite. That was not to happen. It seems like the popped collars had multiplied with every step. Now there weren’t just layered two deep, they were three, four deep, like some sort of Blake Carrington shirt hierarchy. We went back downstairs and asked one of the popped what this was all about. He said they were all Georgetown students and they were making fun of the way that others at Georgetown dressed and acted. Ah irony, I said to Luke Ward. I thanked him for the information, wished him good luck at his next polo match/lacrosse stripper party, told him to say hi to Muffy for me, and off I went.

Most normal people would call it a night, but I am good friend and I wanted to show my friend George Costanza a good time. I asked Virgil where was the next place to visit on our journey. To Midtown he said. Soon enough we were in Midtown and headed to Lucky Bar. Why Lucky Bar? Because from across the street we could see crowds of people headed in. And, well since the following a random crowd into Garrett’s worked so well, we figured we should do it again. We get to Lucky Bar and see a nice mix of men and women and no popped collars—jackpot. We walk in and hear some Regaton—not the best selection but beggars can’t be choosers—and then the DJ says something that I immediately recognize but my friend does not. I look around and notice that the only thing missing is McCain and Kennedy for this to be a full fledged rally. I am not as Brodie Bruce would claim a “textbook closet-case self loather.” I just was not in the mood to go all Ponch Poncherello on the dance floor, as my buddy fell into the rabbit hole of depression. Although, I tried to convince him that Hispanic women love their overweight “Papi Chulos.” We left the rally and decided that one more stop was in order.

I know at this point it feels like you are watching Mike Peters call Nikki after meeting her at the Dresden. You just want this train wreck to stop. But it keeps going. After a discussion on the merits of heading to the U street area vis-à-vis going to Hard Times in Springfield we decide that we should probably go somewhere closer to home. So Hard Times it is. We are there in 22 minutes and are immediately greeted by the familiar smell of beer, cigarettes and chili, and the sight of gangsta’s, underage kids, and people searching for things they will never find in bars (much like us—I know, ironic).

My buddy orders a beer and a tic-tac. I order a water and burger (yes I self medicate with food when I have had a LONG night) and immediately lose it. I have a Martin Lawrence meltdown and I just want to go home and forget that I have wasted 5 hours of my life that I will never get back. What prompted this? It could have been the midnight rape, the gay porn show in my room, no actually it was the presence of an Anna Nicole Smith impersonator walking in at 1:00 am on a Monday night at a bar where I was sitting knowing full well I had work the next morning. Was I truly that magnanimous that I would stay out all night with a buddy go through a tough time? Or, was this something deeper that caused me to not give up on the night? Was I like ANS and the rest of the people searching for something that I would never find in a bar? Nope, my burger came, it was delicious, and realized that like gay men my search that night had only been about meat and fodder for a blog full of pop culture references.